A romantic comedy that lets you escape to Paris.
Everyone relax. Emily In Paris Is Fiction
The strong point of the show?
The visuals in each episode are stunning and exceed expectations. Paris is crazy beautiful. The expectations of sights, sounds, smells, and tastes live in the American psyche. In other words, we buy the stereotype.
Emily breezes in and out of situations. Her desk is free of clutter. There are no files, contracts, or memos visible. Her desk is clear. Emily’s co-workers are always ready with advice. They are quick to tell us not to discuss business at parties and never miss a chance to tell you working on the weekend is illegal. Luc is on hand to offer insight into the soul of a Frenchmen.
Not to spoil the fun but, it seems money is no object here. You never see anyone asking for or paying a bill. Three hours with wine and cigarettes at an outdoor cafe works for lunch. Everyone seems to be available for lunch tomorrow, dinner later today. Attend a gala event at 8 pm? I can fit it in.
Sylvie, Savoir’s director, waltzes in at 11:30 feeling refreshed. No one in the office notices her 11:30 am arrival.
Everyone keeps their distance. Were tempers to flare, the situation ends without consequence. The trouble disappears with a turned-up mouth and an oh well. On to the next scene. How do I get a job like this?
Two seasons are available on Netty. I hope more seasons will come. Start at the first season – episode one, snuggle up on the couch, get the headphones, and binge. It’s fun, doesn’t mean anyone harm, and is an escape from whatever you did earlier in the day.
Emily and the gang cure the fatigue from sitting in traffic or a tiresome workplace.
Every minute of every show trades on stereotypes. EIP delivers what we expect of an American in Paris. Stumbling on the culture and language and stunned by the scenery. By the way, where are all the people milling around on the streets and in the cafes? Where is the horn-honking bumper-to-bumper traffic? The place looks deserted! That’s what I mean, it is a better escape than a documentary.
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In Emily in Paris, we have a caricature image of a Ukrainian woman that is unacceptable. It is also insulting. -Ukraine’s culture minister, Oleksandr Tkachenko
So sure is he that Tkachenko stated his case in an official letter to Netflix.
But that’s not the only person to express their dissatisfaction with the portrayal of Petra.
Even Paris-based creator Eugenié Havrylko spoke on behalf of all Ukrainian women. She stepped forward using her Instagram account, she too denounced Petra’s portrayal. Interesting to note that she earned more than 77,000 likes – which ain’t bad.
The writers chose to include a shoplifting scene in episode four of the second season. No one set out to rock the Ukrainian woman.
The message is- this is okay as long as the person is not from Ukraine.
Different country of origin, same outrage? We can’t say for sure. Tkachenko and Havrylko thrust themselves, in support of Petra, onto the world stage. Now it is up to you. Do you care? Is this offensive? Isn’t the show is chock full of stereotypes? Isn’t entertainment full of stereotypes?
Instead of beating the, I am insulted, angle to death, can’t we enjoy our escape? Emily in Paris takes me to la-la land. Care to join me?
Here is the link-
Eugenié Havrylko’s IG post – https://www.instagram.com/p/CX06qRagKi0/